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  • George Gower, William Arundell (1561-92), 1580
    George Gower
    William Arundell (1561-92), 1580
  • Manner of George Gower, Portrait of Elizabeth I (1533-1603), The Armada Portrait, c. 1600
    Manner of George Gower
    Portrait of Elizabeth I (1533-1603), The Armada Portrait, c. 1600
  • David des Granges, Portrait miniature of Charles II (1630-85), as Prince of Wales, in armour breastplate, wearing the blue sash of the Order of Garter, c. 1653
    David des Granges
    Portrait miniature of Charles II (1630-85), as Prince of Wales, in armour breastplate, wearing the blue sash of the Order of Garter, c. 1653
  • David des Granges, Portrait miniature of Charles II (1630-85), as Prince of Wales, in armour breastplate, buff doublet with embroidered sleeves, white lawn collar with tassels, wearing the blue sash of the Order of the Garter, natural curling brown hair, 1655
    David des Granges
    Portrait miniature of Charles II (1630-85), as Prince of Wales, in armour breastplate, buff doublet with embroidered sleeves, white lawn collar with tassels, wearing the blue sash of the Order of the Garter, natural curling brown hair, 1655
  • David des Granges, Portrait miniature of Charles II (1630-85), as Prince of Wales, in armour breastplate, buff doublet with embroidered sleeves, white lawn collar with tassels, wearing the blue sash of the Order of the Garter, natural curling brown hair
    David des Granges
    Portrait miniature of Charles II (1630-85), as Prince of Wales, in armour breastplate, buff doublet with embroidered sleeves, white lawn collar with tassels, wearing the blue sash of the Order of the Garter, natural curling brown hair
  • Duncan Grant, Kneeling Female Nude, c. 1930
    Duncan Grant
    Kneeling Female Nude, c. 1930
  • Duncan Grant oil painting of a young man and a mermaid in 1950 in green and yellow currently for sale at Philip mould & company
    Duncan Grant
    A Young Man and a Mermaid, c. 1950
  • Duncan Grant, View Between Pillars, Asolo, Italy, Mid-1950s
    Duncan Grant
    View Between Pillars, Asolo, Italy, Mid-1950s
  • Duncan Grant, Nude in an Interior, c. 1918-9
    Duncan Grant
    Nude in an Interior, c. 1918-9
  • Duncan Grant, Male Nude Study, Paul Roche, 1947
    Duncan Grant
    Male Nude Study, Paul Roche, 1947
  • still life painting of flowers in an omega vase at Charleston house by Bloomsbury artist Duncan Grant
    Duncan Grant
    Summer Flowers in a Jug, 1962
  • Duncan Grant, The Barn, Charleston, 1959
    Duncan Grant
    The Barn, Charleston, 1959
  • Duncan Grant, The Pig's Carcass, 1944
    Duncan Grant
    The Pig's Carcass, 1944
  • Duncan Grant, Villa Contarini in Asolo, 1955
    Duncan Grant
    Villa Contarini in Asolo, 1955
  • Duncan Grant, Portrait of Paul Roche, 1952
    Duncan Grant
    Portrait of Paul Roche, 1952
  • Duncan Grant, French Townscape, 1946
    Duncan Grant
    French Townscape, 1946
  • Duncan Grant oil painting of the pond in the winter at Charleston in 1943 in blue and brown currently for sale at Philip mould & company
    Duncan Grant
    The Pond in the Winter at Charleston, 1943
  • Duncan Grant, The Threshing Barn, Charleston, 1942
    Duncan Grant
    The Threshing Barn, Charleston, 1942
  • Duncan Grant, The Italian Handkerchief, 1937
    Duncan Grant
    The Italian Handkerchief, 1937
  • Duncan Grant, Standing Nude, 1932
    Duncan Grant
    Standing Nude, 1932
  • Duncan Grant, Cornish Cottages, 1934
    Duncan Grant
    Cornish Cottages, 1934
  • Duncan Grant, Leda and Zeus, 1933
    Duncan Grant
    Leda and Zeus, 1933
  • Duncan Grant, Still Life of Fruit, 1926 and 1970
    Duncan Grant
    Still Life of Fruit, 1926 and 1970
  • duncan grant, portrait of marie moralt
    Duncan Grant
    Portrait of Dr Marie Moralt, 1919
  • duncan grant, cyclamens
    Duncan Grant
    Cyclamens, 1913
  • Duncan Grant, Seated Male Nude, 1909
    Duncan Grant
    Seated Male Nude, 1909
  • Duncan Grant, Still life with apples
    Duncan Grant
    Still life with apples
  • Duncan Grant, still life with artificial flowers
    Duncan Grant
    Artificial Flowers, c. 1916
  • Duncan Grant mother and child drawing
    Duncan Grant
    Mother and Child, c. 1914
  • Duncan Grant, A view in Lucca, 1950
    Duncan Grant
    A view in Lucca, 1950
  • Duncan Grant, Chrysanthemums in a Blue Pot, 1944
    Duncan Grant
    Chrysanthemums in a Blue Pot, 1944
  • Duncan Grant, View of the Thames, 1944
    Duncan Grant
    View of the Thames, 1944
  • Duncan Grant, Vanessa Bell (The Red Hat), c. 1917-18
    Duncan Grant
    Vanessa Bell (The Red Hat), c. 1917-18
  • Duncan Grant oil painting of the barn at Charleston in 1945 currently for sale at Philip mould & company
    Duncan Grant
    The Barn at Charleston, c. 1945
  • Duncan Grant oil painting of the Jemaa el-Fnaa in Marrakech in 1965 currently for sale at Philip mould & company
    Duncan Grant
    The Jemaa el-Fnaa, Marrakech, 1965
  • Duncan Grant, Eight Studies for Murals at John Maynard Keynes' rooms, 1920
    Duncan Grant
    Eight Studies for Murals at John Maynard Keynes' rooms, 1920
  • Duncan Grant oil painting of Peter Morris in 1928 in brown currently for sale at Philip mould & company
    Duncan Grant
    Portrait of Peter Morris Seated in a Wing Chair, 1928
  • God-like ceramics of male and female figures by Bloomsbury artist Stephen Tomlin
    Stephen Tomlin, Phyllis Keyes and Duncan Grant
    Male and Female Figures, early-1930s
  • Hubert Francois Gravelot, A Game of Quadrille, c. 1740
    Hubert Francois Gravelot
    A Game of Quadrille, c. 1740
  • Walter Greaves oil Portrait of James Abbott McNeill Whistler in 1869 currently for sale at Philip mould & company
    Walter Greaves
    Portrait of James Abbott McNeill Whistler (1834-1903), with the old Battersea Bridge and the Swan Tavern beyond, 1869
  • Attributed to John Greenhill, Portrait of a Lady, 1660s
    Attributed to John Greenhill
    Portrait of a Lady, 1660s
  • John Greenhill, Portrait drawing of John Locke (1632-1704), Early 1670s
    John Greenhill
    Portrait drawing of John Locke (1632-1704), Early 1670s
  • Thomas Henry Gregg, Portrait of Sir William Sterndale-Bennett (1816-75), c. 1830
    Thomas Henry Gregg
    Portrait of Sir William Sterndale-Bennett (1816-75), c. 1830
  • Jean-Baptiste Greuze, Portrait of a young boy, c. 1790
    Jean-Baptiste Greuze
    Portrait of a young boy, c. 1790
  • Jan Griffier the Younger, A Prospect of Greenwich with the observatory and Royal Hospital, c. 1750
    Jan Griffier the Younger
    A Prospect of Greenwich with the observatory and Royal Hospital, c. 1750
  • William Grimaldi, A 'cabinet' sized portrait miniature of Arthur Wellesley, 1st Duke of Wellington (1769-1852), in field marshal’s uniform, 1814
    William Grimaldi
    A 'cabinet' sized portrait miniature of Arthur Wellesley, 1st Duke of Wellington (1769-1852), in field marshal’s uniform, 1814
  • William Grimaldi, Portrait miniature of Frederica, Duchess of York (1767-1820), 1800
    William Grimaldi
    Portrait miniature of Frederica, Duchess of York (1767-1820), 1800
  • William Grimaldi, Portrait miniature of Mary Robinson as 'Perdita', 1795
    William Grimaldi
    Portrait miniature of Mary Robinson as 'Perdita', 1795
  • William Grimaldi, A Lady, possibly Caroline Spencer, Duchess of Marlborough (1743-1811), wearing ‘Van Dyck’ style collar set with large pearl-bordered brooch with letter ‘M’, her hair powdered and decorated with further pearls, 1780
    William Grimaldi
    A Lady, possibly Caroline Spencer, Duchess of Marlborough (1743-1811), wearing ‘Van Dyck’ style collar set with large pearl-bordered brooch with letter ‘M’, her hair powdered and decorated with further pearls, 1780
  • William Grimaldi, Portrait miniature of Elizabeth Moffat (b. 1756), Lady Mills, wearing gold embroidered dress with crimson sash, her powdered hair crowned with pearls and matching turban
    William Grimaldi
    Portrait miniature of Elizabeth Moffat (b. 1756), Lady Mills, wearing gold embroidered dress with crimson sash, her powdered hair crowned with pearls and matching turban
  • Andreas Henry Groth, Portrait enamel of Walter Edwards Freeman (d.1758), wearing a blue coat with gold embroidery facings, white waistcoat trimmed with gold embroidery and white cravat, his hair worn en queue, 1758
    Andreas Henry Groth
    Portrait enamel of Walter Edwards Freeman (d.1758), wearing a blue coat with gold embroidery facings, white waistcoat trimmed with gold embroidery and white cravat, his hair worn en queue, 1758
  • Francois Guerin, Presumed Portrait of Mme. de Genlis Playing a Harp (1746-1830), 1791
    Francois Guerin
    Presumed Portrait of Mme. de Genlis Playing a Harp (1746-1830), 1791
  • Jean-Urbain Guerin, Portrait miniature of an Aide-de-Camp of the 2nd Hussars in undress uniform, wearing a dark brown uniform with cerulean collar and gold lace, with the badge of the Order of the Légion d'Honneur, c. 1810
    Jean-Urbain Guerin
    Portrait miniature of an Aide-de-Camp of the 2nd Hussars in undress uniform, wearing a dark brown uniform with cerulean collar and gold lace, with the badge of the Order of the Légion d'Honneur, c. 1810
  • Guion, Portrait Bust of Frederick Augustus, Duke of York and Albany (1763-1827), c. 1810
    Guion
    Portrait Bust of Frederick Augustus, Duke of York and Albany (1763-1827), c. 1810
  • Sir Herbert James Gunn, Portrait of Margaret, Duchess of Argyll, 1950s
    Sir Herbert James Gunn
    Portrait of Margaret, Duchess of Argyll, 1950s
  • Sir Herbert James Gunn, Portrait of Gilbert Keith Chesterton (1874-1936), 1932
    Sir Herbert James Gunn
    Portrait of Gilbert Keith Chesterton (1874-1936), 1932
  • Sir Herbert James Gunn, Gwen with Diana, Elizabeth and Pauline Gunn, c. 1924
    Sir Herbert James Gunn
    Gwen with Diana, Elizabeth and Pauline Gunn, c. 1924
  • Sir James Guthrie RA, PRSA, HRHA, Portrait Sketch of David Lloyd George (1863-1945), 1919
    Sir James Guthrie RA, PRSA, HRHA
    Portrait Sketch of David Lloyd George (1863-1945), 1919
  • William Gwynn, Portrait miniature of Master Curtis, wearing blue coat and cream and orange striped waistcoat, early 19th century
    William Gwynn
    Portrait miniature of Master Curtis, wearing blue coat and cream and orange striped waistcoat, early 19th century
  • Jan van der Haagen, Portrait of a Brother and Sister, c. 1690
    Jan van der Haagen
    Portrait of a Brother and Sister, c. 1690
  • John Haggis, Portrait of Mr Arnold Fellows in evening dress, c. 1930
    John Haggis
    Portrait of Mr Arnold Fellows in evening dress, c. 1930
  • Bernard Hailstone, Portrait of Sir Winston Spencer Churchill (1874-1965) as Lord Warden of the Cinque Ports, 1956
    Bernard Hailstone
    Portrait of Sir Winston Spencer Churchill (1874-1965) as Lord Warden of the Cinque Ports, 1956
  • Bernard Hailstone, Portrait of Sir Winston Churchill (1874-1965), 1955
    Bernard Hailstone
    Portrait of Sir Winston Churchill (1874-1965), 1955
  • Bernard Hailstone, Portrait of Sir Winston Churchill KG (1874-1965), 1955
    Bernard Hailstone
    Portrait of Sir Winston Churchill KG (1874-1965), 1955
  • Pierre Adolphe Hall, A Lady, standing in a wooded landscape, wearing a white dress with a tiered lace collar and yellow bodice, decorated with bright blue ribbons, flowers in her hair and at her corsage, c. 1770
    Pierre Adolphe Hall
    A Lady, standing in a wooded landscape, wearing a white dress with a tiered lace collar and yellow bodice, decorated with bright blue ribbons, flowers in her hair and at her corsage, c. 1770
  • Pierre Adolphe Hall miniature portrait of a yound lady in blue dress in c. 1770 currently for sale at Philip mould & company
    Pierre Adolphe Hall
    A young Lady, wearing blue bodice over white blouse, c. 1770
  • Gawen Hamilton, The Kirby Hall conversation piece, c. 1735
    Gawen Hamilton
    The Kirby Hall conversation piece, c. 1735
  • Gawen Hamilton, John, 2nd Duke of Montagu (1690-1749), his wife Lady Mary Churchill, daughter of the Duke of Marlborough, and their youngest daughter, Lady Mary Montagu, c. 1730
    Gawen Hamilton
    John, 2nd Duke of Montagu (1690-1749), his wife Lady Mary Churchill, daughter of the Duke of Marlborough, and their youngest daughter, Lady Mary Montagu, c. 1730
  • Hugh Douglas Hamilton, Portrait of Nicholas, Lord Trimlestown (1726-1813), c. 1790
    Hugh Douglas Hamilton
    Portrait of Nicholas, Lord Trimlestown (1726-1813), c. 1790
  • Hugh Douglas Hamilton, Portrait of Richard Mansergh St George (c. 1750-98), 1791
    Hugh Douglas Hamilton
    Portrait of Richard Mansergh St George (c. 1750-98), 1791
  • Hugh Douglas Hamilton, Portrait of Lord Edward Fitzgerald (1753-98), 1790s
    Hugh Douglas Hamilton
    Portrait of Lord Edward Fitzgerald (1753-98), 1790s
  • Hugh Douglas Hamilton, Portrait of Robert Stewart, Viscount Castlereagh, 2nd Marquess of Londonderry (1769-1822), 1790s
    Hugh Douglas Hamilton
    Portrait of Robert Stewart, Viscount Castlereagh, 2nd Marquess of Londonderry (1769-1822), 1790s
  • Hugh Douglas Hamilton, Portrait of General Charles Cornwallis (1738-1805), c. 1770
    Hugh Douglas Hamilton
    Portrait of General Charles Cornwallis (1738-1805), c. 1770
  • nina hamnett, still life with snake
    Nina Hamnett
    Jungle Still Life, 1950
  • Studio of Adriaen Hanneman, Portrait of King Charles II
    Studio of Adriaen Hanneman
    Portrait of King Charles II
  • Adriaen Hannemann, Portrait of Edward Hyde Earl of Clarendon (1609-74), c. 1655
    Adriaen Hannemann
    Portrait of Edward Hyde Earl of Clarendon (1609-74), c. 1655
  • Adriaen Hannemann, Portrait of a lady, 1650s
    Adriaen Hannemann
    Portrait of a lady, 1650s
  • Holbein, Workshop of Hans, Portrait of King Henry VIII, half-length, wearing a richly embroidered red velvet surcoat holding a staff, 1540s
    Holbein, Workshop of Hans
    Portrait of King Henry VIII, half-length, wearing a richly embroidered red velvet surcoat holding a staff, 1540s
  • George Perfect Harding, Portrait of Izaak Walton (1593-1683), c. 1800
    George Perfect Harding
    Portrait of Izaak Walton (1593-1683), c. 1800
  • George Perfect Harding, A portrait miniature of William Smith wearing a brown doublet with a broad blue embroidered sash and white ruff, holding a leading staff, a coat of arms to sinister, 1808
    George Perfect Harding
    A portrait miniature of William Smith wearing a brown doublet with a broad blue embroidered sash and white ruff, holding a leading staff, a coat of arms to sinister, 1808
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