
Andrew Plimer
The artist’s daughter, Louisa Scott (née Plimer), wearing diaphanous white dress with sapphire and pearl bordered brooch, fur-trimmed shawl, her hair curled, c. 1818
Watercolour and bodycolour on ivory
Rectangular, 4 3/8 x 3 ¼ in. (111 x 83 mm)
‘Louisa Plimer/ daughter of artist/ No. 13/ afterwards Mrs Scott’
Philip Mould & Co.
To view all current artworks for sale visit philipmould.com Louisa Plimer (1802-1864) was the eldest daughter of artist Andrew Plimer and Joanna Louisa Knight (1774-1861). One of four sisters,...
To view all current artworks for sale visit philipmould.com
The provenance of the present portrait shows that it remained in the possession of the Plimer family and was noted as in the collection of the Plimer family when Williamson recorded it for his publication in 1903. This is an example of how portrait miniatures were treasured within families prior to the advent of affordable photography. In 1830, Louisa left the family home to marry a surgeon, John Scott, and the couple relocated to Edinburgh.[1]
Andrew Plimer painted several members of his immediate and extended family on numerous occasions. His consistent and homogeneous style can sometimes make it difficult to identify these family members and differentiate between them, as George Williamson notes:
“The very full expressive eyes which the Plimer girls all inherited from their mother… were very possibly the prototypes of the somewhat mannered treatment of those features adopted by Plimer. He had, as it were, become so accustomed to these large deep eyes at home that it evidently became at last a habit with him to endow with this trait of beauty other sitters than those of the family circle.”[2]
[1] Records show that the couple resided at 41 Albany Street, Edinburgh.
[2] G. C. Williamson, Andrew and Nathaniel Plimer, Miniature Painters, Their Lives and Their Works, London, 1903, p. 61
Provenance
Plimer Family Collection;Thence by descent, Miss Frances Dakers; Sotheby's, London, 27 January 1964, lot 79;
Important Portrait Miniatures, Gold Boxes & Objects of Vertu, Christie’s, London, 21 November 2000, lot 192 (£7050)
Literature
G. C. Williamson, Andrew and Nathaniel Plimer, Miniature Painters, Their Lives and Their Works, London, 1903, illustrated;D. Foskett, Collecting Miniatures, Woodbridge, 1979, p. 384, illustrated pl. IIIA (described as 'charming')