

Mlle Marie Marguerite Françoise Jaser
A portrait miniature of a very young Girl of the de Tasserant family (later Madame de L’Dedier), wearing white lace bonnet and dress
Watercolour on ivory
Oval, 40mm. (1 5/8 in.) high
Later gold frame with reeded edge, signed on obverse ‘M Jaser’ and inscribed on the backing paper with sitter’s details
Philip Mould & Co.
To view all current artworks for sale visit philipmould.com Born in Nancy in Eastern France, Jaser began her training under Claudot. In Paris, she was apprenticed to several important...
To view all current artworks for sale visit philipmould.com
Born in Nancy in Eastern France, Jaser began her training under Claudot. In Paris, she was apprenticed to several important miniaturists, including Aubry, Regnault and Isabey. She exhibited at the Salon, obtaining a third class medal in 1835. Her clients included Princess Caroline-Aurelia of Denmark and the Duke of Bordeaux. Her style very much reflects the work of her masters, particularly Isabey and as in this example, she used a soft brushstrokes and a muted palette.
Born in Nancy in Eastern France, Jaser began her training under Claudot. In Paris, she was apprenticed to several important miniaturists, including Aubry, Regnault and Isabey. She exhibited at the Salon, obtaining a third class medal in 1835. Her clients included Princess Caroline-Aurelia of Denmark and the Duke of Bordeaux. Her style very much reflects the work of her masters, particularly Isabey and as in this example, she used a soft brushstrokes and a muted palette.