Picture Archive & Historical Portraits
Skip to main content
  • Menu
  • Artists
  • Artworks
  • Image Licensing
  • Philip Mould Gallery
  • Contact
Menu
Cedric Morris

Cedric Morris

Cedric Morris, A View of Sintra, Portugal, 1950s

Cedric Morris

A View of Sintra, Portugal, 1950s
Oil on canvas
29 x 20 1/8 in. (73.5 x 51 cm)
Copyright The Artist
License Image
%3Cdiv%20class%3D%22artist%22%3ECedric%20Morris%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EA%20View%20of%20Sintra%2C%20Portugal%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1950s%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EOil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E29%20x%2020%201/8%20in.%20%2873.5%20x%2051%20cm%29%3C/div%3E
To view all current artworks for sale visit philipmould.com Among the numerous places Cedric Morris visited during his extensive travels, Portugal was one of his most frequented. Morris’ first trip...
Read more

To view all current artworks for sale visit philipmould.com


Among the numerous places Cedric Morris visited during his extensive travels, Portugal was one of his most frequented.

Morris’ first trip to Portugal, with his partner Arthur Lett-Haines and artist-plantswoman Primrose Harley, was in 1950. He returned many times, often in the company of the plantsman Nigel Scott; these trips were primarily plant-hunting expeditions, with the purpose of finding new species of plants native to the area, to add to their full and varied plant collection back home at Benton End, Hadleigh, Suffolk. Morris had always preferred the countryside, and after the war Morris and Lett-Haines had moved to Benton End from London, which included a large house, studio and garden.

Morris would often take long walks when travelling, with the intention of stumbling across a particularly beautiful spot from which to paint en plein air. Preferring to work directly with oil paint on canvas, he rarely sketched his compositions in advance. This working method results in the honest and earthy embodiment of his subject matter as epitomised by this directly observed landscape, swathed thick impasto. The compositional approach adopted here further immerses the viewer within the scene, emphasising the rugged topography of the surrounding environment. Sintra, situated near Lisbon, has long been a tourist destination on account of its forested terrain and stunning landscape views. The small dwelling depicted here, and the rolling landscape in the background, are typical sites of this area in Portugal.

Close full details

Provenance

Private collection, UK, thence by family descent;
Philip Mould & Company, acquired from the above.

Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
36 
of  69
PHILIP MOULD & COMPANY
CONTACT

+44 (0)20 7499 6818
art@philipmould.com

18-19 Pall Mall
London SW1Y 5LU

philipmould.com

FOLLOW US

Instagram

Facebook

TikTok

YouTube

Artsy

 

Join the mailing list
Manage cookies
Copyright © 2025 Picture Archive & Historical Portraits
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Be the first to hear about our available artworks

Interests *

Sign Up

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.