Picture Archive & Historical Portraits
Skip to main content
  • Menu
  • Artists
  • Artworks
  • Image Licensing
  • Philip Mould Gallery
  • Contact
Menu
English School

English School

English School oil Portrait of George Plantagenet, Duke of Clarence in 1597-1603 currently for sale at Philip mould & company

English School

Portrait of George Plantagenet, Duke of Clarence (1449-1478), K.G., 1597-1603
Oil on canvas, laid down on panel

44 x 35 ½ in. (112 cm x 90 cm)
Inscribed 'GEORGIUS / DUX. CLARENTIAE CONS. CAST. DE QVEENBURGH / ANN IX. EDW. 4' upper right
Philip Mould & Company
License Image
%3Cdiv%20class%3D%22artist%22%3EEnglish%20School%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EPortrait%20of%20George%20Plantagenet%2C%20Duke%20of%20Clarence%20%281449-1478%29%2C%20K.G.%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1597-1603%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EOil%20on%20canvas%2C%20laid%20down%20on%20panel%20%3Cbr/%3E%0A%3Cbr/%3E%0A%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E44%20x%2035%20%C2%BD%20in.%20%28112%20cm%20x%2090%20cm%29%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3EInscribed%20%27GEORGIUS%20/%20DUX.%20CLARENTIAE%20CONS.%20CAST.%20DE%20QVEENBURGH%20/%20ANN%20IX.%20EDW.%204%27%20upper%20right%3C/div%3E
For the posthumous reputations of some historical figures, the History plays of William Shakespeare (1564-1616) have dealt an unkind hand. King Richard III (1452-1485), for instance, could be counted among...
Read more
For the posthumous reputations of some historical figures, the History plays of William Shakespeare (1564-1616) have dealt an unkind hand. King Richard III (1452-1485), for instance, could be counted among that number. For others, the Bard has given a succinct summary that few historians could hope to rival. And this is the case of Richard’s brother, George, Duke of Clarence (1449-1478). In Richard III, Act 1 Scene 4, Shakespeare’s Clarence, confined in the Tower of London, recalls a nightmare that he has had the night before in which a ghost from his past accuses him as ‘false, fleeting, perjur’d Clarence’
Close full details

Provenance

Probably commissioned by Sir Edward Hoby (1560-1617), Constable of Queenborough Castle, in the late 1590s;

Presumably acquired by Sir Humfrey Tufton, 1st Baronet (1584-1659);

Thence by descent to his son, Sir John Tufton, 2nd Baronet (c.1623-1685), by whose estate sold, 25th May 1686[1];

Possibly acquired at the Tufton Sale by Philip Sydney, 3rd Earl of Leicester (1618-1698), Penshurst Place (16 of the portrait set were hanging at Penshurst by 1728[2]);

In the collection of Henry Weysford Charles Plantagenet, 9th Earl of Loudoun, by 1866;

Thence by descent to Charles Edward Rawdon-Hastings, 11th Earl of Loudoun, until at least 1909;

A. Seligman Trevor & Co., London, 1938;

Leggatt Brothers, 1939;

Presumably acquired from above by Arthur Ronald Nall Nall-Cain, 2nd Baron Brocket (1904 –1967), by whom sold;

Sotheby’s, London, 16 July 1952, lot 19;

Bought from above by ‘Delafont’ (£78);

Private Collection, UK.


[1] See an advertisement in The London Gazette, 20th-24th May 1686.

[2] Where they were seen by Vertue, see Walpole Society, Vol. XX, pp.51-52.

Exhibitions

London, National Portrait Exhibition, 1866, no. 25;

London, Burlington Fine Arts Club, Exhibition Illustrative of Early English Portraiture, 1909, no.16, p.76.

Literature

Walpole, H. (1888) Anecdotes of Painting in England. London: Bickers and Son. Vol. I, p.65;

Vertue, G. ‘The Notebooks of George Vertue Relating to Artists and Collections in England’, Walpole Society, Volume XX, 1932, p.52;

Steinberg, S.H. ‘A Portrait of George, Duke of Clarence’, Burlington Magazine, Vol. LXXIV (January 1939), pp.35-37;

Waterhouse, E. (1950) Painting in Britain 1530-1790. New Haven: Yale University Press. pp. 40-41;

Strong, R. (1969) The English Icon: Elizabethan and Jacobean Portraiture. London: The Paul Mellon Foundation for British Art. p. 48 and fig. 45;

Tudor-Craig, P. (1973) Richard III. Exhibition Catalogue, 27 June – 7 October, National Portrait Gallery, London. p. 86, pl. 17;

Daunt, C. Portrait Sets in Tudor and Jacobean England, PhD Thesis, University of Sussex, 2015, Vol. I, pp. 84-85, Vol. II, p.220.

Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
102 
of  126
Related artworks
  • English School, Portrait of King Edward V (1470-83), c. 1580-90
    English School
    Portrait of King Edward V (1470-83), c. 1580-90
  • Franco-Netherlandish School, King Henry VIII (1491-1547), c. 1525-30
    Franco-Netherlandish School
    King Henry VIII (1491-1547), c. 1525-30
PHILIP MOULD & COMPANY
CONTACT

+44 (0)20 7499 6818
art@philipmould.com

18-19 Pall Mall
London SW1Y 5LU

philipmould.com

FOLLOW US

Instagram

Facebook

TikTok

YouTube

Artsy

 

Join the mailing list
Manage cookies
Copyright © 2025 Picture Archive & Historical Portraits
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Be the first to hear about our available artworks

Interests *

Sign Up

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.