Picture Archive & Historical Portraits
Skip to main content
  • Menu
  • Artists
  • Artworks
  • Image Licensing
  • Notable Sales
  • Philip Mould Gallery
  • Contact
Join the mailing list
Join the mailing list
Menu
Portrait of Sir John Bingham Bt. of Castlebar (1730-52)

Browse artworks

Robert Hunter, Portrait of Sir John Bingham Bt. of Castlebar (1730-52), c. 1750

Robert Hunter

Portrait of Sir John Bingham Bt. of Castlebar (1730-52), c. 1750
Oil on canvas
36 x 28 in. (91.8 x 61.8 cm)
Philip Mould & Co.
License Image
%3Cdiv%20class%3D%22artist%22%3ERobert%20Hunter%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EPortrait%20of%20Sir%20John%20Bingham%20Bt.%20of%20Castlebar%20%281730-52%29%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3Ec.%201750%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EOil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E36%20x%2028%20in.%20%2891.8%20x%2061.8%20cm%29%3C/div%3E
To view all current artworks for sale visit philipmould.com  The Binghams have much in common with other families of the Ascendancy, such as the Boyles, who consolidated the land...
Read more

To view all current artworks for sale visit philipmould.com


The Binghams have much in common with other families of the Ascendancy, such as the Boyles, who consolidated the land gains of Elizabethan adventurers with judicious marriage and the acquisition of titles. By the late seventeenth century the Binghams occupied a position of considerable importance in Mayo, and exercised from their seat at Castlebar the quasi-hereditary office of Governor of that County.

Family legend gives to one of the Binghams -perhaps Sir Henry 3rd Bt. d.1714- a significant if not entirely honourable role in the Jacobite campaigns in Ireland. It is said that at the Battle of Aughrim on July 12th, 1691, he recognised the futility of James II''s position and deserted to the camp of William of Orange, supposedly greatly increasing the latter's fortunes by so doing. Research has in fact revealed no clear evidence of any Binghams at the field of Aughrim, but the story does at least typify the hard pragmatism of the Anglo-Irish and of Sir Henry in particular.

Sir Henry displayed little sentiment in settling his affairs in a will of 1714. His heir was his half-brother George, but this latter was largely excluded from inheritance and barred from exercising any authority over family affairs and possessions. With the exception of small gifts to family and dependants the estate was left in trust for his nephew John, his half-brother's son and the father of the sitter in this present portrait. John Bingham at the age of eighteen must already have impressed his uncle with a degree of prudence lacking in his father who, were he to receive any part of the estate would ''spend it after a scandalous manner [despite his brother's] having very often endeavoured to reclaim him but to no purpose.''

Sir John Bingham 5th Baronet proved a worthy steward of the Castlebar estates. Not only did he avoid the spendthrift habits of his father, but by marriage to Anne Vesey of Lucan Co. Dublin, granddaughter and heiress of William Sarsfield of Lucan he considerably increased the family's wealth. This marriage also had its consequences in the succeeding generation, since the connection to the William Sarsfield, whose brother had been raised to the Earldom of Lucan in the previous century, suggested the dignity that this sitter's brother Charles was to chose when he was ennobled in 1776.

Sir John 6th Bt. succeeded to the prosperous estate of his father in 1749, and in the same year took his seat for Mayo in the Irish House of Commons. He held that seat for two years but was unable to pursue the interests of the family much beyond this, due to his premature death in 1752. He was unmarried and his brother Charles succeeded to the baronetcy. Sir Charles Bingham would appear to have been the first of the family for two generations to pursue marital and political interests in England, marrying the daughter of a Devon family and -before his ennoblement as Earl of Lucan- sitting as Whig MP for Northampton. He and his wife retained a loyalty to Irish painters, however, and in 1774 Lady Bingham was drawn in crayons by Hugh Douglas Hamilton.

Close full details

Provenance

Private Collection

Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
947 
of  2082
PHILIP MOULD & COMPANY
CONTACT

+44 (0)20 7499 6818
art@philipmould.com

18-19 Pall Mall
London SW1Y 5LU

philipmould.com

FOLLOW US

Instagram

Facebook

TikTok

YouTube

Artsy

 

Join the mailing list
Manage cookies
Copyright © 2026 Picture Archive & Historical Portraits
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Reject non essential
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Be the first to hear about our available artworks

Interests *

Sign Up

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.